Campo leeft en bestaat door de subs

Campo leeft en bestaat door de subsidies, dossiers zijn voor hen echt van belang. Ze geven echt wel kansen aan artiesten, willen de kunst of de inhoud niet beïnvloeden maar zoeken wel steeds naar extreem werk, naar echt nieuw werk, niet naar een "verkoop", want ze hebben hun eigen publiek dat ze dan ook wel willen verwennen met nieuw en extreem werk...

Resultaten (Engels) 1:

Campo lives and exists in the grants, files are really important for them. They give really want opportunities to artists, the art or the content does not affect but always to search extreme work, to really new work, not to a "sale", because they have their own public that they want to treat themselves to new and therefore extremely work ...

Resultaten (Engels) 2:

Campo lives and exists through grants, files for them really important. They really have opportunities to artists, the art or the contents do not affect but seek it always to extreme work, to really new work, not to a "sale" because they have their own audience that they also want to spoil new and extreme work ...

Resultaten (Engels) 3:

campo is alive and the subsidies, files are really important for them. they provide real opportunities to artists, the art or not affect the content, but still extremely work to find new job, really, not to a "sale", because they have their own public that they like to indulge in new and extremely work...